Simple, right? Revolving around an ordinary middle-aged woman, Evelyn Wang has spent her life running a laundromat. That is, until they embark on a kaleidoscopic journey into the multiverse, where they discover that everything, in fact, is certain – you just have to look everywhere, all at once. At least, that’s the case for the characters in Everything Everywhere all at Once. Besides maybe a few things like death, taxes, and the endless cycle of doing laundry, nothing is quite guaranteed. by Daniel Kwan and Daniel ScheinertĬertainty is rare in life. Jeslyn Wang – Everything, Everywhere, All at Once, dir. Across the board, the first season of this Apple TV+ exclusive has a provocative concept that is executed phenomenally in terms of writing, acting, and production – with an overarching theme that highlights the effects of capitalist exploitation on an employee’s psyche. Alongside powerful themes,s tellar performances progress the emotionally-charged plotlines with an air of authenticity and ironic humor. Awareness comes with a great deal of grief for the characters, as they are forced to address reality rather than accepting their practical non-existence. Perhaps the most captivating part of Severance is the characters’ evolution within their work sphere in relation to their external lives. alongside Britt Lower as Helly R., and their portrayal of a workplace relationship is thought-provoking, with strengths and struggles that a wide range of watchers can relate to. With striking visuals and a maze-like setting that reinforces the characters’ discovery of their work life exploitation, the almost mundane representation of employment as a form of alienation from reality forced me to reevaluate the preconceived notion of work being a mutually beneficial venture. Severance is a psychological thriller that imagines a world in which employees of a biotech company can undergo a medical procedure that separates their work consciousness from their outside lives. To me, this song will forever tug like the gentle betrayal of a missed connection. We don’t meet eyes.Ī song from his rainy day mix sticks with me in particular: “Hunting the Wren” is an atmospheric, downbeat fable by the Irish folk band Lankum. I’m not sure who made the decision first, but we’re strangers now. We both pretend we don’t know each other (even though the common etiquette is to act like dear friends reunited by a handsome stroke of luck). I attempted to instruct him in the art of taming the sputtering beast that is a shitty motorbike. He told me about getting hit by a car biking in Dublin, and the hilarious humiliation he felt after banging angrily on a parliament member’s door, whom he falsely believed to be the culprit. The guy on aux and I had met weeks prior at 5 a.m. We are a ragtag group of smelly travelers lounging in Pai like leather-faced pub loafers. Half finished and long forgotten beer bottles etch watermarks on wooden tables. We’re playing cards and chain smoking cheap cigarettes, reminiscing on our most foolhardy exploits in this unfamiliar territory. The zephyr generated by my swaying hammock serves as no reprieve. Torrential rain mists my bare arms in its vertical downpour. It’s late August and the wind is lashing at the rickety, bamboo thatched roof I hide under. Romance, existentialism, a need to dance one’s heart out on the way to class, and many more stories come together as our writers reflect on the pieces that stuck with them the most in 2022. Whether it’s a song that shrouded a memory or a movie that opens new perspectives, the media we interact influences us, adding new depths and colors to our already eventful lives.
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